Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.  Related Paintings of Canaletto :. | Capriccio, The Horses of San Marco in the Piazzetta | Eve ffg | Grand Canal: The Rialto Bridge from the South f | The Stonemason's Yard | Alnwick Castle, Northumberland |
Related Artists:
Rowland Lockey
English Baroque Era Painter, ca.1565-1616,was an English painter and goldsmith. The son of Leonard Lockey, a crossbow maker of the parish of St Bride's, Fleet Street, London, Lockey was apprenticed to Queen Elizabeth's miniaturist and goldsmith Nicholas Hilliard for eight years beginning Michaelmas 1581[1] and was made a freeman or master of the Worshipful Company of Goldsmiths by 1600. He worked mainly as a copyist of earlier portraits to make up sets of oil paintings for the fashionable long galleries of great houses, but signed or documented portrait miniatures on vellum and a signed title page engraving for the 1602 Bishops' Bible also survive.
charles de brosses
(1709-77). President of the Parlement de Dijon, friend of the philosophes, and in Diderot's words ??une petite t??te gaie, ironique et satiriquee. His learned publications include important work on the origins of language (Traite de la formation m??canique des langues, 1765) and on primitive religion (Du culte des dieux fetiches, 1760). His Lettres familieres crites d Italie en 1739 et 1740, published posthumously in 1799 and much loved by Stendhal, offer a model of personal travel writing, in which detailed accounts of art works and monuments, not always complimentary, or a careful description of Vesuvius, addressed to Buffon, are interspersed with sprightly, enthusiastic accounts of the peculiarities and the aesthetic and sensual pleasures of life in Italy.
Antoni Piotrowski
(Bulgarian: Antoni Pyotrovski; 1853-1924) was a Polish Romanticist and Realist painter. Piotrowski was born in Nietulisko Duże in 1853 near Kunew, then in the Russian Empire (today in Poland), to a sheet iron worker. From 1869 on, Piotrowski studied painting with professor Wojciech Gerson. From 1875 to 1877 he was tutored in Munich by Wilhelm Lindenschmit the Younger and from 1877 to 1879 his teacher was Jan Matejko of the Academy of Fine Arts in Krakew. In 1879, Piotrowski arrived to the newly-liberated Principality of Bulgaria as a correspondent of the British issues The Graphic and The Illustrated London News and the French Illustration and Le Monde Illustre. He moved to Paris only to return to Bulgaria in 1885 to join the Serbo-Bulgarian War as a Bulgarian volunteer. For his merits during the fighting he was honoured with an Order of Bravery. During his time in the Bulgarian Army Piotrowski painted the Battle of Slivnitsa, the storming of Tsaribrod and the Bulgarian entry in Pirot. All his nine military works were purchased by the Bulgarian state and are exhibited in the National Museum of Military History in Sofia. He also published graphics from the war in various Western European illustrated issues. Among his works were also portraits of Bulgarian princes (knyaze) Alexander of Battenberg and Ferdinand of Saxe-Coburg-Gotha; Piotrowski was awarded an Order of Civil Merit by the latter. Piotrowski returned to Bulgaria in 1889: he visited Batak and painted his epic canvas The Batak Massacre. This painting of his won an award at the Plovdiv Fair in 1892. In 1900 Piotrowski returned to Poland and settled in Warsaw.